Everything about The Palace Of Charles V totally explained
The
Palace of Charles V, in
Granada,
Spain, is a
Renacentist construction, located on the top of the hill of the Assabica, inside the
Nasrid fortification of the
Alhambra. It was commanded by
Charles V, Holy Roman Emperor, who wished to establish his residence close to the Alhambra palaces. Although the
Catholic Monarchs had already altered some rooms of the Alhambra after the conquest of the city in
1492, Charles V intended to construct a permanent residence befitting an
emperor. The project was given to
Pedro Machuca, an architect whose biography and influences are poorly understood. At the time, Spanish architecture was immersed in the
Plateresque style, still with traces of
Gothic origin. Machuca built a palace corresponding stylistically to
Mannerism, a mode still in its infancy in
Italy. Even if accounts that place Machuca in the atelier of
Michelangelo are accepted, at the time of the construction of the palace in 1527 the latter had yet to design the majority of his architectural works.
The plan of the palace is a 63 meter
square containing an inner circular
patio. This structure, the main Mannerist characteristic of the palace, has no precedent in
Renaissance architecture, and places the building in the
avant-garde of its time. The palace has two floors (not counting
mezzanine floors). On the exterior, the lower is of a padded
Tuscan order, while the upper is of the
ionic order, alternating
pilasters and
pedimented windows. Both main façades boast portals made of stone from the
Sierra Elvira.
The circular patio has also two levels. The lower consists of a
doric colonnade of conglomerate stone, with an orthodox classical entablature formed of
triglyphs and
metopes. The upper floor is formed by a stylized ionic colonnade whose
entablature has no decoration. This organisation of the patio shows a deep knowledge of the architecture of the
Roman Empire, and would be framed in pure Renaissance style but for its curved shape, which surprises the visitor entering from the main façades. The interior spaces and the staircases are also governed by the combination of square and circle. Similar aesthetic devices would be developed in the following decades under the classification of Mannerism.
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